This is the method I use and I'd like to thank Weaper (of Japanzai) from whom most of my method is based from, and the scanlating tutorial website,
http://senbonzakura.kageyoshi.net/Note:
This tutorial will be wordy and lengthy in order to explain everything as best as I can. This is based on what I know and think.Background:We hear the words 'HQ' so often... it's kinda become a joke. Releases ranging from
**** work to perfection are all being called 'HQ' or really good.
'
**** work' is usually solo efforts by random people who want to see something released as no one is doing it or taking too long OR by the occasional scanlation group. I mean no offense to anyone who considers themselves as part of the '
**** work', but I'm just honestly letting out my opinion.
Unfortunately, the vast majority of people prefer speed over quality as they want to read the manga rather than look at how much effort people put into making the WHOLE page look decent.
HQ raws are scans provided (usually only from a private raw provider) which are usually 240+dpi and 3000px+ height.
LQ raws are usually public raws that range from under 2000px height and 72dpi.
The difference is immense!
[example to be placed here]
THE CLEANING PROCESS:Let's cut to the chase now...
Requirements:1) Photoshop CS3 or higher (best programs available for cleaning, so don't go saying that you want to use another one)
2) Topaz Denoise 5
3) Topaz Clean 3
4) A critical eye and brain (recommended)
5) Time (needed)
6) Endeavour (wished for)
7) Dedication (
lusted for)
Quite a lot to ask for, but most of it shouldn't be too hard <.<
Before you start:1) For efficiency you would probably like to set up your
workspace with the windows and other stuff you'll be using. I have 2 workspaces, one for cleaning and one for typesetting.
2) Make sure that your Topaz plugins are showing in photoshop. If they are not, go to Edit -> Preferences -> Plug-ins -> Additional Plug-ins and link to the Topaz folder.
3) Have some music on as you can be sure that the whole process will become repetitive and boring.
Here's what it looks like:
http://sadpanda.us/images/1277304-AGJLF1X.jpgMethod:I'll be using the above image's page as a graphical presentation for you to understand.
0) Duplicate background layer.
This will be the layer you will work on and clean. The background layer will be the raw reference.
1) Straighten your page.
Use one of the horizontal or vertical borders (if none are available, carefully use the pattern). The easiest method would be to use the ruler tool.
Draw a line with it and once you are satisfied, click straighten.
2) Crop the page.
There will be a black border or some other colour around the edge of the page, this you can crop off. DO NOT crop off to the border, but leave space between the border of the panel and the space around it. The crop tool is above the ruler tool.
Once you have the area you want to crop, commit it by pressing 'Enter'.
Watch out for rotating the crop.
http://sadpanda.us/images/1277336-61M1ATP.jpg3) Resize the page to 3000px height.
4) Filter -> Sharpen -> Unsharp Mask (amount: 50% ; radius: 0.9 ; threshold 0)
Those are my usual settings, however it depends on the page. Just sharpen it until the patterns come out clearly, without being overpowering.
5) Resize the page to 4000px height
6) Filter -> Noise > Reduce noise (strength: 2 ; preserve details: 30% ; sharpen details: 25%)
This one also depends on the raws, but I usually leave it as is.
7) Filter > Blur > Surface blur (radius: 6 ; threshold: 15)
This step you need to watch out!
The surface blur smoothens the black/ white areas without harming whilst 'avoiding' the opposite colour. Just watch out for the areas with the dark patterns. Adjust it so that those patterns are not destroyed (a little blur in them is fine).
Convert to RGB
If it isn't already, convert it. It needs to be RGB for Topaz.
9) Topaz Denoise
In Denoise, click on the JPEG - light to get Denoise to automate appropriate settings. Then move the slider on the right hand side down till you get to 'Recover Detail'.
Recover detail will always be set on 0.30. Change this to 0.5. Change 'reduce blur' to 0.15.
This will sharpen the page up a bit while blending the various patches.
10) Topaz Denoise
Use again. Click on JPEG - light again. Check what value the overall strength is. If it is at a higher value than what it was, bring it down to 0.02 less than what it was.
Go down to 'recover detail' and change it to 0.4 and 'recover detail' to 0.1.
11) Resize the page to 8000px height.
You're probably wondering why the page has to be so huge! At this size, the pattern and everything has been sized up quite a lot and it's hard for the page to be over-leveled and over-burned. So little room for errors and easier to work on.
12) Replace color
Set Fuzziness to 80, Lightness to 100 and click the dot-button for Image. Your cursor will now appear as a dropper tool so just click anywhere on the page where it should be white, but isn't.
ONLY use this step if there isn't a very very light pattern on the page. Otherwise the pattern will be destroyed (you'll just have to take more time in dodging later on).
13) Adjustment layer - levels
Adjust the white ONLY. I will not discuss how to use levels here as it is a very widely discussed area and you can find plenty of material.
14) Duplicate level adjustment layer -> set to multiply -> 50% opacity
This layer will make the contrast between the black and white areas bigger.
15) Go back to original adjustment layer and level the black
.... .... to be continued in next post (as this has maxed). LOL